HOW I managed to AVOID those blackouts, is beyond me.īut, long story short, I got my work done on gear that lit up, every time I went to record.Ĭlick to expand.And there goes the URBAN LEGEND that "Mike Verta" did NOT reveal his choice of software, because he was "suspicious" that other people would "rip him off" in terms of method. Myself? All I was armed with was a $2,000 project studio, that only "crashed" when there was a blackout. And even today, the same problems exist as they did back in 1990 when everyone had CAKEWALK and was cussing it out on a regular basis. Today? You have people almost having to come up with excuses as to WHY they have a MIDI Orchestra, that is comprised of several different fathers. You got 4 tracks on a cassette unit that housed a mixer and some ins and outs. I see that often, and I see it here and it becomes a real big problem, should your "Master Set-up" should fall victim to something as simple as a computer crash, or even worse, a virus.īack when TASCAM started the home studio revolution, in 1980, things were very simple, machine wise ( The first Portastudio) "No matter how big your ranch is, you can still wind up with too many steers!" In the now, there are SOOOO many choices in our home recording gear, as to drive a lot of people simply NUTS at times. It's NOT the tools, that matter-what matters is the PRO's ability to get the BEST our of the tools he or she has chosen to work with. Click to expand.If CSS can't "land on the beat" by it's lonesome, the question becomes, "Is CSS the BEST strings that you can buy OVERALL (correct functions included ) or are they "The best SOUNDING strings that you can buy, MINUS the OS difficulties?"Īlso, the term "best" is totally subjective and arbitrary and ALWAYS open for debate.
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